From the Arabic al Qasr to the Palace of the Normans Now known as the Palace of the Normans, the Royal Palace where the young Frederick II lived is located in the highest position of the old town centre, just above the first Punic settlements, whose traces are still visible in the basement. The first building, the Qasr, is attributed to the period of the Arab domination of Sicily. The Normans changed it to express the power of the monarchy. A structure of turret-shaped buildings was thus realized, connected together with a system of arcades alternated to gardens, that also housed workshops of goldsmiths and production of tissue (the Kiraz). The new palace was also directly connected to the cathedral through a covered road. Mosaics and precious marbles in the Palatine Chapel In 1132, during the reign of Ruggero II, the Palatine Chapel was built, which became the centre of gravity of the various structures in which the palace was divided. Consecrated in 1140 by King Ruggero II, the church was dedicated to Saints Peter and Paul. The three naves are divided by re-used ancient columns supporting pointed arches; the floor is made of mosaic, and precious marbles cover the bottom of the walls. The upper part of the apse, transept and dome is lavishly covered with Byzantine mosaics on a gold background depicting Christ Pantocrator, the evangelists and Bible stories. The apartment of Frederick In addition to the Palatine Chapel, the building parts attributed to the Normans are the Pisan Tower, home to the Treasury room, and the Tower of Gioaria, which, for the refined elegance of the architectural solutions and the refinement of the decorations, most likely housed the apartments of the Norman kings and of Frederick II. Pets in the hall of King Ruggero Of Norman period is also the hall of King Ruggero, covered with fine mosaics of the Byzantine school with hunting scenes. The decorations show great dedication in the rendering of the animals including, besides the mythological centaurs, leopards, peacocks, deer and swans, on a background of trees and palms. The ceiling of the hall dates to the time of Frederick II, as evidenced by the representation of the Swabian eagle.
The cradle of the SicilianSchool Later, the Swabians kept in the palace administrative chancellery and above all literary activities: in Frederick II’s times, the grand palace was a centre of culture where the classical, Arabic and Byzantine tradition intertwined. Here the poets of the “Sicilian School” gathered, and it can be said that Italian poetry was born within these walls. The Palace of the Viceroys First the Angevins and then the Aragonese privileged elsewhere at the expense of the castle. The building regained an important role in the second half of the sixteenth century when the Spanish viceroys elected it to their residence, going along with major refurbishments aimed also to defensive needs, with the creation of a system of ramparts. The Hall of the labors of Hercules With the Bourbons, the palace was transformed again: in 1790 Ferdinand IV had lifted up on the Pisan Tower the astronomical Observatory still existing today and particularly specialized in the study of astrophysics; in 1798 the Bourbon court, moved into the Palace because of the French occupation of Naples, makes various spaces change, in order to adapt them to new needs; in 1811 for the umpteenth time the walls and the ceiling of the Sala d’Ercole were decorated – since 1947 the seat of the Region of Sicily Assembly – so called because of the numerous temperas depicting the fatigues of the mythological hero; after 1820 the ramparts were demolished. Sources: www.wikipedia.it www.culturaitalia.it www.ars.sicilia.it
The Castle la Cuba
The pavilion of delights Emerging from a large artificial lake, the castle built by William II in 1180 was a pavilion of delights, that is, a place where the King and his Court could spend pleasant hours in the cool of the fountains and gardens of citrus, resting in the daylight hours or attending festivals and ceremonies in the evening. The Arabic inscription The news about the customer and the date are certain thanks to the epigraph placed on the attic wall of the building. The extraordinary fact is that this inscription is written in Arabic, which shows the tolerance and openness of the Norman court. Among the Royal Solaces of the Normans of Sicily, its Arabic name means arch or vault and the castle, which has a rectangular shape lightened by square protruding towers, is really the triumph of the pointed arches that form its dominant architectural motif. The daughters of the Saracen king The last monument created by the Normans in Palermo was one of Frederick II’s favourite during his childhood. A very ancient legend (dating back its origin in time) said that Zisa and Cuba were daughters of a Saracen king who would have built for them two castles, which had to be worthy of the marvellous beauty of the two girls. Refreshing solutions The interior of the Cuba was divided into three aligned spaces and communicating with each other. At the centre of the interior are the remains of a beautiful marble fountain, a typical element of Arab buildings needed to freshen the air. The central hall was decorated with muqarnas, ornamental and architectural solution similar to a half dome. After the Norman pomp, the hospital After the Normans and the Swabians, the Cuba was allocated to various uses. The lake was drained and on the banks some pavilions were built, used as a hospital in 1576 and in 1621. Then it lodged a Burgundians mercenary company and finally it was owned by the State in 1921. The inspiration of Boccaccio Between the water and the trees that once surrounded the castle, Boccaccio set one of his Decameron novels, the sixth of the fifth day. It is the love story between Gian di Procida – nephew of the eponymous hero of the great Sicilian Vespers – and the beautiful Restituta, a girl from Ischia kidnapped by “young Sicilians” to be offered as a gift to the then King of Sicily, Frederick II of Aragon. Source: www.wikipedia.it